These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Fleda was silent; the worst of it all was that there was something unspoken between them. Neither of them dared to utter it, but the influence of it was in the girl's tone when she returned at last, with great gentleness: "Don't be harsh to me—I'm very unhappy." The words produced a visible impression on Mrs. Gereth, who held her face averted and sent off through the window a gaze that kept pace with the long caravan of her treasures. Fleda knew she was watching it wind up the avenue of Poynton—Fleda participated indeed fully in the vision; so that after a little the most consoling thing seemed to her to add: "I don't see why in the world you take so for granted that he's, as you say, 'lost.'"!

"She would if Owen had described your outbreak to Mona." "Certainly," the girl resolutely answered. "I don't see why you should talk as if one had a petty mind. You don't think so. It's not on that assumption you've ever dealt with me. I can do your son justice, as he put his case to me."

The girl had a promise that the wonderful house should be shown her early in July, when Mrs. Gereth would return to it as to her home; but even before this initiation she put her finger on the spot that in the poor lady's troubled soul ached hardest. This was the misery that haunted her, the dread of the inevitable surrender. What Fleda had to sit up to was the confirmed appearance that Owen Gereth would marry Mona Brigstock, marry her in his mother's teeth, and that such an act would have incalculable bearings. They were present to Mrs. Gereth, her companion could see, with a vividness that at moments almost ceased to be that of sanity. She would have to give up Poynton, and give it up to a product of Waterbath—that was the wrong that rankled, the humiliation at which Fleda would be able adequately to shudder only when she should know the place. She did know Waterbath, and she despised it—she had that qualification for sympathy. Her sympathy was intelligent, for she read deep into the matter; she stared, aghast, as it came home to her for the first time, at the cruel English custom of the expropriation of the lonely mother. Mr. Gereth had apparently been a very amiable man, but Mr. Gereth had left things in a way that made the girl marvel. The house and its contents had been treated as a single splendid object; everything was to go straight to his son, and his widow was to have a maintenance and a cottage in another county. No account whatever had been taken of her relation to her treasures, of the passion with which she had waited for them, worked for them, picked them over, made them worthy of each other and the house, watched them, loved them, lived with them. He appeared to have assumed that she would settle questions with her son, that he could depend upon Owen's affection. And in truth, as poor Mrs. Gereth inquired, how could he possibly have had a prevision—he who turned his eyes instinctively from everything repulsive—of anything so abnormal as a Waterbath Brigstock? He had been in ugly houses enough, but had escaped that particular nightmare. Nothing so perverse could have been expected to happen as that the heir to the loveliest thing in England should be inspired to hand it over to a girl so exceptionally tainted. Mrs. Gereth spoke of poor Mona's taint as if to mention it were almost a violation of decency, and a person who had listened without enlightenment would have wondered of what fault the girl had been or had indeed not been guilty. But Owen had from a boy never cared, had never had the least pride or pleasure in his home. "Ah, when it isn't mere misery!" The words had broken from her in a sudden loud cry, and what next happened was that the very sound of her pain upset her. She heard her own true note; she turned short away from him; in a moment she had burst into sobs; in another his arms were round her; the next she had let herself go so far that even Mrs. Gereth might have seen it. He clasped her, and she gave herself—she poured out her tears on his breast; something prisoned and pent throbbed and gushed; something deep and sweet surged up—something that came from far within and far off, that had begun with the sight of him in his indifference and had never had rest since then. The surrender was short, but the relief was long: she felt his lips upon her face and his arms tighten with his full divination. What she did, what she had done, she scarcely knew: she only was aware, as she broke from him again, of what had taken place in his own quick breast. What had taken place was that, with the click of a spring, he saw. He had cleared the high wall at a bound; they were together without a veil. She had not a shred of a secret left; it was as if a whirlwind had come and gone, laying low the great false front that she had built up stone by stone. The strangest thing of all was the momentary sense of desolation. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.